fighter jets in top gun

Fighter Jets In Top Gun - When Tom Cruise starred in Top Gun in 1986, it wasn't just a box office hit, it was a good thing for the US military. Main image

It came like a thunderbolt from heaven, like a gift from heaven. In 1986, audiences flocked to theaters to see a Tony Scott film

Fighter Jets In Top Gun

, starring a fresh-faced Tom Cruise as Pete "Maverick" Mitchell, a hotshot Navy aviator bent on Star-Sea. They came continuously for seven months. When the dust settled, the film had grossed over $176 million. Unlike the eponymous Elite Flight Academy runner-up, the film was the highest-grossing of the year in 1986.

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A military recruiting station is set up outside the cinema to catch aspiring pilots flying for the adrenaline rush and excitement. Others register themselves. Interest in the armed forces, particularly the Navy and Air Force, increased that year, although it is not clear how much. The Navy's aviation program is said to have grown by 500 percent.

Paints the life of an elite pilot like a real-life video game, with young people leading the academy. . Mission, most of them performed daring maneuvers and gained popularity. In 1986, the United States was not involved in a real war. Vietnam is becoming a more distant memory for young people. Who doesn't want to be a hero?

More political change for the Pentagon than Bandit Feeder for Paramount. In exchange for a surge in enrollment and a sexier and more interesting perspective on pilot life offered to the general public, military units offer a wide range of support, from production, sites and equipment to personnel. So says producer Jerry Bruckheimer

The American film industry and the US military have had a long, well-documented, and generally mutually beneficial relationship since World War II. To be sure, films about war and its aftermath were made without the help of the military. But the military often sees an opportunity in movies: to raise public morale, popularize war and change the image of soldiers, and encourage young men to join the military. In a film industry that cares more about profit and technique than ideas, a partnership based on an inherently conservative approach is often an ideal fit.

Top Gun: Maverick

But the nature of the partnership has changed over time, the role of the U.S. military in the world as well as Hollywood's goals have changed. Like like like

Entering a world unlike any before, he comes from an industry that has its sights set on profiting not just the United States, but the rest of the world. It's not just entertainment. It is the culmination of a long and complicated history.

What happens when large groups of people are immersed in the same methanator over time? They begin to be guided by the influence, and begin to know that what he says is essentially true. As for the movies - decades

A form of entertainment in the United States, it means that there is a realism in the movies about the heroism of the soldiers, the reason for the struggle, the truth of the goal. It made Hollywood an attractive and powerful resource for the US military.

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What happens when large groups of people are immersed in the same methanator over time? They began to see that what he said was essentially true.

, a silent war drama directed by World War I veteran pilot William Wellman and produced with heavy support from the War Department (then the Pentagon). Wellman dedicated the film to “young warriors in the sky, whose wings are around them forever. It was a big hit.

So a pattern was established, and the filmmakers, concerned about authenticity and hoping to use some of the original equipment, turned to the military.

The relationship became even closer when World War II broke out. The War Department had to sell the war to the public, boost morale, and build the Allied case. They recognize that Hollywood represents a rare resource. Film critic and historian Mark Harris wrote the book

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About the contributions of five legendary directors to the government's World War II propaganda effort: Frank Capra, John Ford, John Huston, George Stevens, and William Wyler. Works dedicated to soldiers (such as Capra)

Finally, a series of public viewing) for documentaries made for the general public with the aim of influencing public opinion. It is efficient.

That the government is the driving force behind these movies - before the word had meaning, called short propaganda - seems to us very sinister. But, as Harris explains, back then things got a little more complicated. The military saw an opportunity to support "morality films" or "educational films" to help the American public understand what we stand for and stand for. Capra

"These three countries, Germany, Japan and Italy, have proven time and time again that there are people who are enslaved by mad dictators, who are trying to create a world of slaves, and what we are fighting for is a free world. Harris said. So it's an ideological goal, and it's basically in line with Hollywood and the War Department.

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But the War Department rarely specified the exact message they wanted to convey to the filmmakers—they weren't "stenographers," as Harris called them. This means that military support during this period was largely a surrender of control and contributed little to the final outcome. "All they could do was tell John Ford, 'We're going to send you to Midway, and we want you to film this battle,'" Harris said. "But they don't say, 'This is what we want to do.' That's the message we want to convey."

- In 1946, it was forbidden by the military to show soldiers shot and hospitalized with their war wounds, fearing it would cause a depression in post-war recruitment.

Let This Man's Face Shine, a 1946 John Huston documentary that covered the U.S. military until the 1980s. US Army photo service

In the decades after the war, the ideological harmony between Hollywood and much of the military was lost. So you're looking at a column, Harris said. “After Vietnam, the Pentagon never said to Hollywood, 'We're all in the same business,' which was basically the argument made during World War II. "It ended with Vietnam, and it was replaced by this more commercial relationship."

Science Review Of Top Gun: Maverick » Science Abc

Not that things got worse. They become a business rather than just an idea. The situation "became the military saying to Hollywood, 'We need you to help us,'" says Harris.

This commercial connection was evident in a series of Reagan-era albums aimed not only at appealing to audiences but also — implicitly — or not — at rehabilitating the military's image in the post-Vietnam era of mistrust.

Let's say you're a Hollywood filmmaker (or TV producer) who wants to tell a story that somehow involves the military, even if your movie is about aliens or zombies or superheroes. In some countries, you must submit a screenplay or film for government approval before production or distribution. But this is America. You can exercise your First Amendment rights to tell any story you want.

. One way to improve your recording studio is to reduce your budget, equipment, or additional fees. Maybe you want to make sure everything looks authentic, or make sure the military responds to discipline. Or you may want to make sure that the details of the assessment are correct.

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So you decide to ask for help. Depending on your needs, you may work closely with a designated recreation coordinator within a specific branch of the military or, more generally, with the Pentagon. Few military personnel have been in the liaison role for decades, if not more—reading scripts, working with directors, providing notes and ultimately deciding whether the military will support the project.

The US military withdrew support for Independence Day when producers refused to use Area 51. 20th Century Studios

Todd Breasseale is one of those, an Army officer who has worked as a liaison to the military's film and television entertainment industry for about six years since 2002. Pentagon Public Affairs Secretary. In it

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